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Variation: Festival II, 1918-1919

Alexei Jawlensky

Russian, 1864-1941
Oil and pencil on textured wove paper, mounted on thin cardboard
14-1/4 x 10-5/8 in. (36.2 x 27.0 cm)
Norton Simon Museum, The Blue Four Galka Scheyer Collection
P.1953.094
© 2011 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Reproduction, including downloading of ARS works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York

Not on view

As Jawlensky tested the limits of non-objective painting, his Variations became more abstract. Horizons and perspective disappeared, and color was used as a structural device rather than as a mirror of nature.

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