Nolde worked in a furniture factory, then became an art student and studied briefly in Paris in 1899. His first one-man exhibit in Dresden in 1905 brought him to the attention of the Brücke artists, and in 1906 he joined their group for a brief period. Nolde was honored by a major retrospective in 1927, but ten years later the Nazis declared his art "degenerate" and confiscated more than 1,000 of his works. Forbidden to paint in 1941, he secretly painted small watercolors, which he named his "unpainted pictures."
Details
- Artist Name: Emil Nolde (German, 1867-1956)
- Title: The Village Blacksmith
- Date: 1910
- Medium: Watercolor on Japanese wove paper
- Dimensions: 12-5/8 x 18-7/8 in. (32.1 x 47.9 cm)
- Credit Line: Norton Simon Museum, The Blue Four Galka Scheyer Collection
- Accession Number: P.1953.295
- Copyright: © Nolde Stiftung Seebüll
Object Information
Galka Scheyer;
Pasadena Art Institute, Pasadena, 1953-1954;
Pasadena Art Museum, Pasadena,1954-1975;
Norton Simon Museum, 1975.
Works by the Die Brucke Artists
- Pasadena Museum of Modern Art, 1973-04-24 to 1973-06-03
German Expressionist Exhibition
- Norton Simon Museum, 1988-05-19 to 1989-06-18
Contemporary German Watercolor Painting
- California Palace of the Legion of Honor, 1936-06-06 to 1936-08-01
Expressionists
- Los Angeles, Hollywood Gallery of Modern Art (Lorser Feitelson), 1935 to
European Modernists
- Los Angeles, California School of Fine Arts, 1927-04 to
Thirty European Modernists
- Oakland Art Gallery, 1928-01-04 to 1928-01-29
The Galka Scheyer Collection: Klee, Nolde, Jawlensky, Moholy-Nagy, Schmidt-Rottluff, Schwitters, Archipenko, Kandinsky, Lissitzky, Feininger, Kirchner, Dix_1
- La Jolla, Art Center in La Jolla, 1960-07-05 to 1960-08-14
From Europe to California: Galka Scheyer and the Avant-Garde
- Norton Simon Museum, 2003-05-16 to 2003-10-13
Permanent and Loan Collection, 1973
- Pasadena Museum of Modern Art, 1973-01-30 to 1973-12-31
- The Blue Four Galka Scheyer Collection, Norton Simon Museum of Art at Pasadena, 1976, no. 419 pp. 139, 151
- Barnett, Vivian Endicott, The Blue Four Collection at the Norton Simon Museum, 2002, no. 396 pp. 390-391
Additional Artwork by Artist
Image reproduction permission may be granted for scholarly or arts related commercial use. All image requests, regardless of their intended purpose, should be submitted via the reproduction request form.
Images may be protected by copyright and other intellectual property rights. Additional permission may be required.
Please allow up to four weeks for your request to be reviewed. Approved requests for the reproduction of an image will receive a contract detailing all fees and conditions of use of the image. Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. A complimentary copy of the published material must be provided to the Norton Simon Museum.