A pioneering sculptor of the 20th century, Louise Nevelson is best known for her intricately designed, monochromatic wood sculptures. In Vertical Zag I, compartments housing cubes, cuboids (three–dimensional rectangles), pyramids, archways and cylinders compose a dynamic relief. The black monochrome finish, a common characteristic of Nevelson’s work, enhances the quiet monumentality of the sculpture, evoking the New York City skyline. Dubbing herself “The Architect of Shadow,” Nevelson aimed to capture shadows, transforming them into what feel like independent, elemental forms. In her own words, “You see shadow and everything else on earth actually is moving. Movement—that’s in color, that’s in form, that’s in almost everything. Shadow is fleeting... and I arrest it and I give it a solid substance.”
Details
- Artist Name: Louise Nevelson (American, 1899-1988)
- Title: Vertical Zag I
- Date: 1969
- Medium: Painted wood and Formica
- Dimensions: 80 x 29-3/8 x 4 in. (203.2 x 74.6 x 10.2 cm)
- Credit Line: Norton Simon Museum, Gift of the Artist
- Accession Number: P.1969.086
- Copyright: © Estate of Louise Nevelson / Artists Rights Society (ARS), New York
Object Information
Louise Nevelson, Gift 1969 to;
Pasadena Art Museum, Pasadena, 1969-1975;
Norton Simon Museum, Pasadena.
Louise Nevelson
- Scottsdale, Arizona, Fine Arts Commission, Civic Center Gallery, 1973-11-10 to 1973-12-10
Sculpture in Two Dimensions: The Prints of Moore and Nevelson
- Norton Simon Museum, 1992-10-01 to 1993-03-14
True Grit: Female Visionaries Before Feminism
- Lexington, University of Kentucky Art Museum, 2003-09-07 to 2003-10-26
- New Orleans, Tulane University, Newcomb Art Gallery, 2003-12-04 to 2004-02-15
- Metropolitan State College of Denver, Center for the Visual Arts, 2004-03-11 to 2004-04-25
Loan to the permanent collection, Virginia Steele Scott Galleries at the Huntington_4
- The Huntington Library, Art Museum, and Botanical Gardens, 2014-07-09 to 2016-10-31
Loan to the permanent collection, Virginia Steele Scott Galleries at the Huntington_1
- The Huntington Library, Art Museum, and Botanical Gardens, 2009-05-27 to 2015-12-17
Made in America: Contemporary Painting and Sculpture from the Norton Simon Museum
- Norton Simon Museum, 1999-06-24 to 2000-03-26
Recent Acquisitions, 1969
- Pasadena Art Museum, 1969-11-24 to 1970-01-18
Works from the Pasadena Art Museum
- Vancouver Art Gallery, 1970-04-14 to 1970-05-10
Beyond Brancusi: The Space of Sculpture
- Norton Simon Museum, 2013-04-26 to 2014-01-06
Permanent and Loan Collection, 1974
- Pasadena Museum of Modern Art, 1974-03-16 to 1974-06-06
Lost but Found: Assemblage, Collage and Sculpture, 1920-2002
- Norton Simon Museum, 2004-11-05 to 2005-03-28
Radical Past: Contemporary Art and Music in Pasadena, 1960-1974
- Norton Simon Museum, 1999-02-07 to 1999-06-06
- Armory Center for the Arts, 1999-02-07 to 1999-04-11
- Art Center College of Design (Pasadena, Calif.), 1999-02-07 to 1999-04-25
- Pasadena Art Museum, Recent Acquisitions 1969, 1969, p. 27
- Pace Gallery Catalog, 1969,
- Scottsdale Civic Center, The Nevelson Gala, 1972,
- Reilly, Richard, San Diego Union, 1979, pp. E-1, E-10
- San Bernardino Sun, 1979,
- Armory Center for the Arts/Art Center College of Design, Radical Past: Contemporary Art & Music in Pasadena, 1960-1974, 1999, p. 83
Additional Artwork by Artist
Image reproduction permission may be granted for scholarly or arts related commercial use. All image requests, regardless of their intended purpose, should be submitted via the reproduction request form.
Images may be protected by copyright and other intellectual property rights. Additional permission may be required.
Please allow up to four weeks for your request to be reviewed. Approved requests for the reproduction of an image will receive a contract detailing all fees and conditions of use of the image. Upon receipt of both the signed contract and full payment, the Office of Rights and Reproductions will provide the image. A complimentary copy of the published material must be provided to the Norton Simon Museum.