Film Series: Low Key: The Magic, Wonder and Horror of Light

Presented in conjunction with the exhibition Plugged In: Art and Electric Light, this series organized by Brian R. Jacobson, Professor of Visual Culture in the Division of the Humanities and Social Sciences at the California Institute of Technology, explores Hollywood’s enduring fascination with electricity. From Tesla and Frankenstein to the neon streets of midcentury Los Angeles and its special effects studios, these films illustrate electricity’s power to deceive, enchant and frighten by creating cinema’s most essential element: light. Each film begins with an introduction by Jacobson.


Free with Museum admission.

No reservations taken. The theater opens at 4:00 p.m. and seating is on a first-come, first-served basis.

A blonde woman screaming as she opens a box on a table with light shining out of it
two men standing in a field with glowing bulbs, one man is holding a bulb looking up at the other man

The Prestige (2006), PG-13

Directed by Christopher Nolan
Friday, November 8, 4:30–6:40 p.m.

In this fantasy thriller, two friends and magicians just starting to learn their art become bitter rivals after a sudden tragedy. Trick by trick, show by show, and now enemies for life, their ferocious competition builds until it knows no bounds, even utilizing the fantastical new powers of electricity and the brilliance of inventor Nikola Tesla, while the lives of everyone around them hang in the balance.

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a blonde woman screaming as she opens a box on a table with light shining out of it

Kiss Me Deadly (1955), NR

Directed by Robert Aldrich
Friday, November 15, 4:30–6:15 p.m.

On a dark and lonely night, Los Angeles private eye Mike Hammer picks up a hitchhiking woman who sends him down terrifying byways. Brazen and bleak, Kiss Me Deadly is a film noir masterwork as well as an essential piece of Cold War paranoia, and it features as nervy an ending as has ever been seen in American cinema.

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a man and a woman embracing with fear in a torn down room

The War of the Worlds (1953), NR

Directed by Byron Haskin
Friday, November 22, 4:30–5:55 p.m.

A mysterious, meteorlike object has landed in a small California town. All clocks have stopped. A fleet of glowing green UFOs hovers menacingly over the entire globe. The Martian invasion of Earth has begun, and it seems that nothing—neither military might nor the scientific know-how of nuclear physicist Dr. Clayton Forrester—can stop it. H. G. Wells’s end-of-civilization classic receives a chilling Cold War–era update, complete with hallucinatory Technicolor and visionary, Oscar-winning special effects.

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one man with a torch confronts the creature while standing outside on top of a bluff

Frankenstein (1931), NR

Directed by James Whale
Friday, November 29, 4:30–5:40 p.m.

Boris Karloff plays the screen’s most memorable Creature in the story of Dr. Frankenstein, who tampers with life itself when he pieces together salvaged body parts and employs electricity to create a humanlike monster.

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The Prestige (2006), Newmarket/Photofest, © Newmarket Films; Kiss Me Deadly (1955), United Artists/Photofest, © United Artists; The War of the Worlds (1953), Paramount Pictures/Photofest, © Paramount Pictures; Frankenstein (1931), Universal/Photofest, © Universal